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Until the Lease Runs Out

Until the Lease Runs Out book cover

A Paris Romance

He came to Paris to give a silent music hall its voice back. She stopped playing the day her right hand turned against her.

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Slow burn, open door, happily ever after. For adult readers.

Grumpy and sunshineParisRoommates to loversSlow burn

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TropeRoommates to lovers
BurnSlow
HeatOpen door
SettingParis and São Paulo
Told byBoth of them
EndingHappily ever after
Paperback349 pages

The story

Rafael Duarte has twelve months, one contract and a family bakery in São Paulo that is sinking under debt. The room he rented online comes with tall windows, a piano under lock and key, and a landlady who never agreed to a lodger.

Camille Aubert restores other people’s pianos because she can no longer perform on her own. Her brother rented out the spare room behind her back, spent the money, and gave her until October to buy his half of their grandmother’s apartment.

She needs the rent and he needs the room, so they make it work. When that stops being enough, Camille writes the rules in pencil on the back of the lease. No talking about the future. No “I love you.” And it all ends when the lease runs out.

The plan holds until spring.

Until the Lease Runs Out is a slow-burn, open-door roommates-to-lovers romance set between the rooftops of Paris and the bakeries of São Paulo. It has a grumpy pianist, a sunshine sound engineer who claps in empty rooms to hear what is wrong with them, a retired jazz drummer downstairs who knows every secret in the building, and a deadline neither of them can talk their way around.

This book contains explicit scenes between consenting adults, grief over the loss of a parent, and a parent’s health scare. Happily ever after guaranteed.

From the book

You're a woman who likes rules. Make some.
You look so beautiful I don't know where to put my hands.
1 / 2

Free sample

Read the first pages

Paris sounded wrong.

I noticed it before I noticed anything else, before the gray, before the cold that came through the jet bridge and found the gap between my collar and my neck. Charles de Gaulle at six in the evening should have been loud, and it was, but it was the wrong kind of loud. Guarulhos roars. Everyone talks at once, everyone's cousin is waiting with a sign, someone is always laughing at a volume that makes the security guards look up. Here the noise was flat and tidy, a carpet of rolling suitcases and announcements in three languages that came down from the ceiling like weather. Nobody shouted. Nobody hugged anybody in the middle of the walkway so that you had to go around them. A woman beside me at baggage claim said "pardon" to a pillar.

I stood there with my hands in the pockets of a jacket my sister had told me was not warm enough, and I clapped once, softly, just to hear it.

Bad habit. Professional habit. My father used to say I'd clap at my own funeral to check the acoustics of the church. The sound went out from my hands and died almost immediately, swallowed by low ceilings and carpet and the bodies of two hundred tired people. Short decay. Dead room. Of course it was. Airports are designed so you can't hear yourself think, because if you could, you'd turn around and go home.

The woman who'd apologized to the pillar was staring at me.

"Sorry," I said, and then, because I'd practiced it on the plane for eleven hours, "Pardon."

She nodded the way you nod at a man who claps at luggage carousels, and moved three steps to her left.

My first suitcase came out early. My second came out last, after a stroller, a set of golf clubs and a box wrapped in so much tape it could have survived reentry, and by the time it arrived I'd already decided it had been lost, and that this was a sign, and that I should call my mother and tell her the whole thing was a mistake. It wasn't lost. It just had my whole life in it, and my whole life apparently weighed thirty-one kilos and had to be dragged off the belt by a man in a high-visibility vest who said something to me in French I chose to interpret as "Welcome."

I checked the side pocket before I did anything else. Through the canvas I could feel the shape of it, round and heavy and cold. My father's bell. Or the padaria's bell, which in our family had always been the same thing.

Still there. Good.

I looked at the watch on my wrist, which was his too, and which ran five minutes fast because he'd liked to be early to everything except the doctor. 18:14. So, 18:09. I'd told the host I would arrive around eight. Plenty of time.

That was the last time that day I was right about anything.

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